The Blender Foundation’s fourth Open Movie, Tears of Steel is out now…
It’s an Open Movie, so we should get the 3D assets, and a version large enough to rip 1920px mattes from, at some point in the near future.
The Blender Foundation’s fourth Open Movie, Tears of Steel is out now…
It’s an Open Movie, so we should get the 3D assets, and a version large enough to rip 1920px mattes from, at some point in the near future.
SDCisco’s iClone 5 train wreck…
Anti-bullying animation contest. $1200 prize, 20-120 seconds (but they just want storyboards), scenario suitable for localisation in Spanish-speaking nations. Deadline: 1st October 2012.
Very interesting new $150 real-time plugin for Adobe After Effects CS6, called Element 3D. And no, it seems that it’s not the usual dubious claim of “I got two grainy frames per second, and I’m calling it real-time”.
3D Artist magazine reports…
“At first we couldn’t believe we were rotating over 100k polygon models, with 4k textures on them, in real time, and they were still looking amazing [...] incredibly good results”
The software uses an OpenGL render engine (I’m not sure which version — the DAZ Studio viewport still uses the ancient 1.6), and has light presets, 20 shaders, multi-pass rendering in a dropdown menu, and a particle system. That all looks very tasty for a mere $150, especially for video and motion graphics people who find it scary once 3D goes beyond “3D spinning logos”.
Drawbacks seem to be that, unlike iClone, it isn’t optimised for complex or long scenes. Nor does it seem to be set up in any way for character animation. Plus, from what I remember of using After Effects back in the day, rendering the final video at full resolution is likely to take a lot longer than iClone.
Another drawback is that there’s no FBX import, which may limit your ability to speedily access 3D models from a big DAZ/Poser content library. Import is currently just plain old OBJ (with all the inevitable hassles arising from external textures) and Cinema 4D import.
For pro video makers who need a little 3D with some level of ease-of-use, it sounds like many people might be better off with Keyshot 3 ($900), rather than After Effects + Element 3D (around $850 all told). Since the simplicity of Keyshot 3 (learn it in one day) would save you months in having to wrestle with learning After Effects. You’d also get a better quality of render (not real-time, admittedly, but very fast). But if you already have and know After Effects, then Element 3D sounds like a very interesting realtime plugin, and one that can hopefully only get even better as it moves to version 2.0.
50% off from just about every content artist in the DAZ Store. The DAZ web servers are groaning, and it takes an age to get logged in. But if you can get in, then you may find that some items on your Wishlist items are heavily discounted. I found that all but two items on my Wishlist had heavy discounts. It all ends Friday. Update: now extended!
Fortis Space Art Contest. Win a place on a scientific mission.
Interesting new(?) iPad publishing system 3DVia that claims to be able to take 3D models and slot them into iPad apps…
“…seamlessly integrates your images, video and 3D files into engaging, mobile-ready web apps for the Apple iPad platform. Just upload your media to 3DVIA.com, place it into the app design of your choice and publish.”
They also have an interesting 3DVia Store service, to help people get familiar with where things are in a physical store…

I haven’t looked into it too much, since it looks like the kind of service where “if you have to ask the price, you can’t afford it”, but it would seem that the service must be pumping the end result to mobile devices in real-time? Hence it needs low-poly 3D. Now that we have “quickly build it in iClone and export to FBX with 3DXchange 5 Pro”, I wonder if this sort of service might be an emerging market for content creators and developers?
Lovely painterly animation on this news report of Felix Baumgartner, who’s about to skydive to Earth from the edge of space…
New iClone tutorial video: Creating Custom Motions with the Look At and Path Tools…
HitFilm (the excellent “poor man’s After Effects” software) has announced details of the forthcoming version 2. A couple of the more interesting new features…
* 3D model import and rendering [in] a rapid compositing workflow.
* New procedurally-generated FX.
The popular crowd-funding service Kickstarter has banned all 3D renderings and animations…
“Product simulations are prohibited. Projects cannot simulate events to demonstrate what a product might do in the future. Products can only be shown performing actions that they’re able to perform in their current state of development.”
“Product renderings are prohibited. Product images must be photos of the prototype as it currently exists.”
Visual effects in today’s movies, are they loosing their impact and sense of style? I must say that the same thought had occurred to me, on seeing Stanley Kubrick’s 2001: A Space Odyssey (1968), which was made without the benefit of digital FX.
New iClone starter iClone 5 tutorial from Warlord, on “apply, save and collect motions”…
BBC News coverage of a feature film which uses iClone for its pre-vis…
The Torque game engine is going open source, under an MIT licence. Although it seems to be just the source code, rather than any content assets which might ship with the engine?
Kurzal has a new Dogs pack for CrazyTalk Animator, on the Reallusion Marketplace…

The 2012 Renderosity Halloween Contest has its 2012 theme: Unhappily Ever After. Entries are now being accepted…
“They often say that love happens the moment you lay eyes on that special someone for the very first time. It’s as if the stars were perfectly aligned and the two of you were destined to meet in order to share eternity with one another. But what if your soulmate was really not the person they seemed to be? That after the vows were exchanged and the last bit of cake had been eaten you soon discovered a haunting reality too frightening to even imagine. This is your opportunity to let your creative juices run wild and interpret what the complete opposite of wedded bliss might be.”

Deadline for entries: 16th of October 2012.